The host says that Susan’s work is an expert commentary on “junk culture” and that he or she should be proud of it. After Susan’s opening, she and her husband, played by Armie Hammer, go to a dinner party at the home of Michael Sheen’s art world dandy. In an interview with TheWrap Magazine, Ford said that the opening scene was “a miniature version of one of the film’s themes.” These women have let go of everything our culture says they should be, and they are joyful.įord said, “Then we cut to Susan, who is trying so hard to be exactly what she thinks she should be, but she’s not happy.”įor what it’s worth, the script looks at the gallery show with a cynical eye. It also reminds me of a photo series by Substania Jones that came out in 2015. In that series, naked plus-size people jumped up and down in very slow motion. The work itself reminds me of the 2013 video series “Gravity” by American artist Michael Haussman. But in the end, these amazing women made something beautiful for us.” She said, “The beginning was almost funny.” “It was supposed to be like Fellini, something that someone who doesn’t know much about performance art or conceptual art might find silly. In a recent interview for TheWrap Magazine, the film’s costume designer, Arianne Phillips, said, “This is Tom Ford, the director. But it’s a big change for Ford, whose fashion designs are known for their sleekness, steely glamour, and strict perfection. The sequence acts as a lens for Susan Morrow, a gallery owner and society type who is perfectly portrayed but very unhappy. Richardson joked, “He had a half-ton of naked women there.” “But all of these boys were flirting with me by blowing kisses at me. Richardson also said that everyone on set, including the extras, was very friendly and helpful. I never felt like I was being made fun of or painted in a bad light. Ford felt strong because of us women.” “It had nothing to do with shame or anything like that. Piper Major, a nude model and actress who also took off her clothes for the scene, said, “Mr. There is also a party scene with hundreds of extras, which takes place at a gallery opening where the models lie naked on pedestals while a well-dressed crowd with champagne glasses circles them. Richardson is one of four women in the sequence. One of the actresses Ford chose, Peggy Fields Richardson, told TheWrap, “No one would have thought that a 60-year-old, 300-pound grandmother would need a nudity rider in their contract.” The scene surprised the actors just as much as it will surprise people who go to see the movie. In the end, it turns out to be a piece of video art in a fancy L.A. “Nocturnal Animals” by Tom Ford starts not with a close-up of Amy Adams or Jake Gyllenhaal, but with a stunning group of naked plus-size models dancing in front of the camera.īefore any of the star-studded cast is shown, a Hitchcockian orchestra plays over the scene, but it’s not clear how it fits into Ford’s second film as a director.
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